Meet Michelle Kingdom, another introvert artist with a new twist on an existing art form.

Her horizon seemed to her limitless
She doesn’t say she’s an introvert, but when she talks about the privacy of her unique art – well, we can read between the lines. And once you see her images, and her titles – which are a very important part of her work – there can be no doubt. Those who think of introverts as loners may be surprised that most of her pieces include more than one person, and that even when they appear to be inwardly focused, she portrays them as interconnected.

Little by little there was scarcely anything left
Sometimes, the carefully chosen titles say it all. Other times, they are intimate, yet cryptic, implying unspoken details beyond the edges of the scene, or multiple possible stories, with the context left open for the interpretation of the beholder.
Most intriguingly of all, these works are tiny, barely as wide as a woman’s hand.
I’m such a wordy person. I always have been. Words pour out of me like spring snow melt racing down a mountainside. Which is why I understand so very deeply and completely all of the things that words can’t do.




There are many depictions of non-usual mental states in story and song, including some excellent first-person representations of mental disorders. Edgar Allan Poe, for example, is famous for his accounts of psychotic breaks in the first person. Sometimes we know we are witnessing “madness,” as Poe called it, but sometimes these descriptions are framed as something else. 
